
Claire maccormick & kaitlyn macdonald
Poem and Art Piece: Identities Suspended
Artist statement
We (Kaite and Claire) met here at St. Francis Xavier University in the Bachelor of Education program, and quickly became incredibly close friends, as we share many of the same interests, hobbies, and views—for us it seemed like a no-brainer to work together on this project. When beginning this process, our original intention was to create an interdisciplinary piece of art that showcased both our interests and identities. Our focus was to draw upon resources connected to nature and use leaves, bark, and wood as the medium for each of our respective art pieces. We both have a deep connection to nature, starting in our early lives, and wanted our stories to represent that connection and the deep respect we hold for the natural world.
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Our process began with many conversations about how we could combine the written word and acrylic paintings to achieve a cohesive piece of art that represented both our stories, which was the most difficult aspect of this process. Eventually, we realized that poetry and painting could easily complement each other while representing two differing, but interconnected, stories. We then began to work towards the creation of each of our art pieces, which we constantly worked on together, to make sure we were able to authentically draw in both of our stories into each mode of art. It was incredibly important that both of our voices were able to be heard through our art. The process of constructing our piece was one of the easiest, as we had the idea of creating a birch frame as a display from our first brainstorm of the project.
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In creating this work, it was important for us to incorporate aspects of nature into the project. For my (Kaite’s) contribution to the piece I chose oak leaves, taken from the property where I grew up. The leaves were intentionally painted and hung in an upside-down orientation, giving the viewer the illusion of falling leaves. Only one side of the leaves were painted to expose the natural color and dried texture to the viewer, as they walked around and experienced the movement of the piece, and to leave room for my growth as a person. On the leaves, I painted scenes and words that represented my connections to nature, my heritage, and my present self. I felt drawn and connected to Celtic symbols, such as the thistle flower, the Celtic knots, and triskelion. I am the last surviving member of my family with a connection to my family’s dead language: Scottish Gaelic. I used the language to represent who I am, something me and my family have lost, and how I feel most connected to my lost ancestors, writing my name, Caitlin NicDomhnallach (Kaitlyn MacDonald), and where I call home, Alba Nuadh (Nova Scotia/New Scotland). The remaining leaves represent significant places to my present self, in nature and in the institutions of which I am a part of, and how that connects to my family and heritage.
However, collecting the pieces that compose both the frame and art was a step-by-step process. Gathering the leaves for Kaite’s paintings took a great deal of time, as we originally looked at birch leaves for painting. However, these leaves proved to be too thin to paint on. We then looked at collecting oak leaves, which had a leathery texture and dried with a smooth complexion, which proved easiest for painting. Oak trees are native to Scotland. We toyed with the idea of Claire writing her poems on these oak leaves. However, they were too fragile for the thin-tipped marker she used. Eventually, we chose to use birch bark for the poems, because they were hearty and did not break easily as she wrote, and we were able to collect more bark due to many downed trees from Hurricane Fiona. Birch is a native tree to Ireland which is a connection to both of our heritage. Overall, we chose to use birch and oak as they have deep connections to Scotland and Ireland, which allow us to further our own stories and understand our heritage.
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Finally, we presented our piece Identities Suspended.  
 

Journey To Teaching
Part 1
Guinness stout drafted out
Dive bars with fiddled gigs
03.17
Sea crossing, stolen land
Sea shanty, sing songs, tap dancing toes
Blue collar industry
Tongue cut out and tossed away
Stories blurred around the edges
Old photographs handed down
3,917
Part 2
Tapping toes, foot stomp
Accordion screech
Melody of an untuned guitar
Whiskey wind with wine filled clouds
And the pop of a Cork
Upturned horseshoe with lucky showers
Unholy visits, devil dancing
Prideful voices of bass, alto, soprano, tenor notes
Clare calling Sin Simore
Part 3
YELLING
Whispering
HA HA HA
Symphony of familial sounds
Lively love being spread like butter
Crowded kitchen emptied of food
Knitted close like an old scarf
Drifted wood washed ashore
Without stain
Alabaster skin, painted green, painted orange
Waterfall of Guinness curls, toasted upon Canadian land
Sugar and nutmeg tipping your tongue
Mums homemade soup permeating the house
A uninhibited cat sunbathing on a living room rug
Peppermint tea steeped too long, sipped by an open window
Your favourite book with a broken binding
Coconut sunscreen and lobster boiled legs on the back porch
Sandy fingers and saw dusted clothes
Learning to knead and sew and drive a stick
Hands waving out the window until your car pulls away
Something familiar but
Slowly moving away
For Claire, this project has allowed her to dig deep and better understand herself, which in turn will help her connect with her students and their present and past lived experiences.
For me (Katie) having an understanding of my identity and history will help me be aware of my personal biases as an educator. Knowing who I am and appreciating my cultural background can allow me to develop empathy for my students' own experiences and realize my own privileges. Especially where this project was created in our indigenous pedagogy class I feel that digging deep into ourselves was a way to truly understand indigenous beliefs and ways of teaching.